City Council Candidates

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Bill Knight


This candidate has filed to run for office but has not responded to invitations to add his or her information to this site for free.

Robbie Perkins Robbie Perkins

Message to Voters
I want to be Mayor of Greensboro to help our community develop and implement a shared vision for its future.

Top Issues
More and Better Jobs: Two-pronged approach - 1)Recruit national companies on a regional basis that will locate in the Piedmont Triad because of its geography and transportation infrastructure. 2)Grow our small businesses which are the backbone of America.

Crime and Public Safety: Greensboro's police and fire departments are outstanding, and we must insure that we budget properly for their success. Offer competitive compensation packages.Let them do their jobs by eliminating unnecessary political interference.

Maintain our City's Infrastructure: Greensboro operates a $1 billion water and sewer utility system that needs to be maintained through systematic evaluation and budgeting. We cannot afford to allow our infrastructure to deteriorate in order to "save" the taxpayers money.
Robbie Perkins
Occupation: President of NAI Piedmont Triad, a commercial real estate firm.
Education: AB (History and Religion) and MBA (Finance) from Duke
Age: 55
Affiliation: Republican

Email: robbie@robbieperkins.com
Phone: (336) 358-3219
Website: www.robbieperkins.com
Robbie Perkins websiteRobbie Perkins on FacebookRobbie Perkins on Twitter

Wayne Abraham Wayne Abraham

Message to Voters
I will put the best interests of Greensboro first. My decisions will be based upon facts, not on political ideology.

Top Issues
City Management: I support a well maintained, efficiently run, responsive city government. Deliberately not maintaining our roads, parks, and facilities will only hurt us economically in the long run. It also reduces the quality of life in our city.

Implement the 2025 Plan: We already have two excellent citizen created plans, the 2025 Comprehensive Plan and the recently put forth Sustainability Plan. Instead of ignoring these well thought out citizen developed plans for our city, we should implement them.

Job Growth: We are going to have to save ourselves. Hoping that a Dell or an American Express will swoop in with thousands of jobs is unrealistic. We should start by promoting a buy local campaign, and use our development funds wisely to promote our growth.
Wayne Abraham
Occupation: Owner and Executive Director of Personal Care Inc.
Education: Masters in Business Administration from the Bryan School of Business at UNCG
Age: 52
Affiliation: Democratic

Email: wayne@voteabraham.com
Phone: 336-358-7226
Website: www.voteabraham.com
Wayne Abraham websiteWayne Abraham on Facebook

Marikay Abuzuaiter Marikay Abuzuaiter

Message to Voters
I want them to vote for me because I am FOR the concerns of the people. I will be representing them & not special interest groups.

Top Issues
Economic Development & Jobs: In the last campaign many professed that economic development was their top priority. It has NOT happened. We MUST get beyond the bickering of some of our council representatives and get down to attracting businesses and retaining current ones.

The White Street Landfill: I have been criticized for taking a stand, but after completing extensive research I can only conclude that there are too many health and safety concerns to condone reopening the landfill to MSW. The concerns of the citizens must be heard!

Sustainability: We must APPROVE the sustainability action plan! It was only "accepted" by Council. The future of generations who follow us will be affected by how we implement the plan. It would ensure energy efficiency, create jobs and improve the environment.
Marikay Abuzuaiter
Occupation: Restaurant owner-Mahi's
Education: Bachelor's degree, Greensboro College
Age: 57
Affiliation: Democratic

Email: abuzuaiter@aol.com
Phone: 336-314-9620
Website:
Marikay Abuzuaiter on FacebookMarikay Abuzuaiter on Twitter

Yvonne JohnsonYvonne Johnson

Message to Voters
If you believe that the biggest priority for Greensboro is putting our people back to work, Yvonne Johnson will be your voice on Council

Top Issues
Create Jobs
To create jobs by encouraging partnerships between the school of nano-technonlogy and small/medium sized local business for example,and improve infrastructure.

Restore Trust
Restore trust and civility to our public discourse, by respecting every citizen, listening to their concerns and points of view.

Environment
To continue to protect the environment and promote both green spaces and green jobs
Yvonne Johnson
No picture provided

Occupation: Executive Director, One Step Further
Education: B.A. Bennett College, Psychology M.A. NCA&T, Guidance and Counseling
Age: 68
Affiliation: Democratic

Email: none provided
Phone: 336.255.3060
Website: www.YvonneJohnson4CityCouncil.com
Yvonne Johnson website

Chris Lawyer Chris Lawyer

Message to Voters
This is my first time running for public office. I decided to run because I care about Greensboro and I have a passion for public service.

Top Issues
Economic Growth: Work to create a positive business environment that will allow the private sector to grow and create jobs. We can accomplish this by keeping taxes low, restraining the size of government, and providing a sound infrastructure.

Public Safety and Infrastructure: Two of the most important elements of local government is to provide effective public safety services and a sound infrastructure. We should work to ensure that our citizens are protected and our infrastructure is sustainable for economic growth.

Good Representation: It is important for our elected officials to be accessible to constituents and receptive to their concerns. Members of the city council should also make a sincere effort to work together and to respect each other despite their differences.
Chirs Lawyer
Occupation: Emergency medicine physician assistant at Cone Health
Education: B.S. in Health Sciences from James Madison University; Masters of Physician Assistant Studies from King's College
Age: 32
Affiliation: Republican

Email: lawyerforcouncil@gmail.com
Phone:
Website: www.lawyerforcouncil.com
Chris Lawyer websiteChris Lawyer on Facebook Chris Lawyer on Twitter

Danny Thompson Danny Thompson

Message to Voters
From the google initiative and tax cuts, to merit pay raises for City employees and adding 40 additional police officers to the force, to finding a responsible solution to our long term waste management problem, I have been a leader on the Council who loos to build bridges and do the right thing for all of Greensboro.

Top Issues
Economic Development
No additional information provided.

Jobs
No additional information provided.

Debt reduction
No additional information provided.
Danny Thompson
No picture provided

Occupation: Business owner employing over 150 Greensboro citizens
Education: 1984 - Bachelors Degree - Asbury University; 1980 - Graduate Western Guilford High School
Age: 49
Affiliation: Republican

Email: vote4danny@gmail.com
Phone: 336-402-1946
Website: www.vote4danny.com
Danny Thompson website

Nancy Barakat Vaughan Nancy Barakat Vaughan

Message to Voters
I believe as a Council we need to be more responsive to citizen concerns. And, that we treat each other as we would like to be treated.

Top Issues
Small Business Advocacy: We need to overhaul the privilege license fee structure to make it more equitable. I would like to see the City create a "Small Business Advisory Liaison" which would assist small business in navigating City ordinances and regulations.

Eliminate Red Tape: We need a comprehensive review of existing ordinances and eliminate those regulations that make it more expensive to do business and where we see little benefit to the City.

Job Creation: Greensboro must take a very proactive approach in attracting new industries. We need to capitalize on our airport as an economic engine and we must leverage our rating as the second best place in the world to build new data centers.
Nancy Barakat Vaughan
Occupation: Community Volunteer
Education: Attended Fairfield University, Fairfield, CT
Age: 50
Affiliation: Unaffiliated

Email: NVaughan@triad.rr.com
Phone: 336-370-1582
Website: ElectNancyVaughan.com
Nancy Barakat Vaughan websiteNancy Barakat Vaughan on FacebookNancy Barakat Vaughan on Twitter

T. Dianne Bellamy-Small T. Dianne Bellamy-Small

Message to Voters
Restoring Responsive, Respectful and Responsible Government to the People of Dist. 1

Top Issues
Economic Development: Concentration on Infrastructure and Economic Development in east Greensboro

Manager/Council Form of Government: Restoring the Manager/Council Form of Government for Effective and Efficient Government Operations

Supporting Needs of the People: Effective Collaboration for Programs for Youth, Homelessness, Job Creation and Senior Adults Opposing Environmental and Economic Injustice
T. Dianne Bellamy-Small
Occupation: Parent Trainer/Consultant/Singer
Education: Brevard College, Randolph Macon Women's College, University of North Carolina at Chapel Hill 1974 Graduate work at UNCG, University at Maryland Eastern Shores and Continuing Ed at Duke University, IOPL Fellow, Challenge Greensboro, Piedmont Triad Leadership
Age: 58
Affiliation: Democratic

Email: tdbsforcouncil@mail.com
Phone: 336/373-2286
Website: www.bellamysmallforcouncil.com
T. Dianne Bellamy-Small website

Donnell (DJ) Hardy Donnell "DJ" Hardy

Message to Voters
One District, One Greensboro. More than a campaign slogan, this is my call to unity for all of Greensboro.

Top Issues
Economic Development: I will continue to push for and support new businesses in district one, especially those owned by district residents. In addition I will push for more employment, shopping, dining and entertainment options in East Greensboro.

Quality of Life: With increased thefts, disillusion of our youth and the recent battles on the disposal of our solid waste, I will work to create progressive and cost-effective solutions to these problems, with the community's interest at heart.

Civility on the Council: We need to bring back cohesion, civility and responsible decision making to the council. I've been known to support ideas from all places on the political spectrum, because I take the ideas that work for Greensboro’s people first.
Donnell (DJ) Hardy
Occupation: Corporate Controller, A&D Environmental
Education: BS in Business Economics, Florida A&M University
Age: 35
Affiliation: Democratic

Email: donnell@donnellhardy.org
Phone: 517-7354
Website: www.donnellhardy.org
Donnell (DJ) Hardy websiteDonnell (DJ) Hardy on FacebookDonnell (DJ) Hardy

C. Bradley Hunt, II


This candidate has filed to run for office but has not responded to invitations to add his or her information to this site for free.

Jim Kee


This candidate has filed to run for office but has not responded to invitations to add his or her information to this site for free.

Zack Matheny Zack Matheny

Message to Voters
No answer



Top Issues
Shovel Ready Sites - JOBS: We have been told repeatedly that Greensboro needs to have shovel ready sites so companies that are looking to build will not have downtown. We are in a time that Greensboro needs to make the investment on behalf of our citizens. We need jobs.

Infrastructure: Since I was first elected in 2007, we have faced significantly hard economic times. This has been particularly hard on deciding our budget. I think we need to make sure we are maintaining or improving our infrastructure, including roadways.

Public Safety: As a city we need to continue to be known as a safe and enjoyable place to live, work, and play. I think our police and fire do a wonderful job and council needs to make sure we are giving them the resources needed on behalf of our citizens.
Zack Matheny
Occupation: Director Bell Partners
Education: North Carolina State University, B.S.
Age: 38
Affiliation: Republican

Email: zackmatheny@gmail.com
Phone: 336-232-1978
Website: zackmathenyforcouncil.com
Zack Matheny websiteZack Matheny on Facebook

Jay Ovittore Jay Ovittore

Message to Voters
If you want more of the same deadlock on Council you know how to vote. Want someone who will offer ideas and solutions, vote for me.

Top Issues
White Street Landfill: This is an issue that should have been solved by now. 2 years since the last election and no real progress. I will commit to keeping the landfill closed and finding a regional solution to our waste removal in Greensboro.

Downtown Curfew: My opponent imposed a curfew on teenagers downtown in response to the stabbings and shootings at clubs. Not a teen involved in any of these incidents. Who is he going to impose big government restrictions on next?

Infastructure: I see roads getting paved, which is great. What I don't see is accountability for our taxpayer money being spent. Every one of these roads has uneven lanes. We also need to plan for our future with water and with technology. I will do that.
Jay Ovittore
Occupation: Consumer Advocate/ Retail/ Musician
Education:
Age: 38
Affiliation: Unaffiliated

Email: voteovittore@gmail.com
Phone: 3367904611
Website:
Jay Ovittore on FacebookJay Ovittore on Twitter

Nancy HoffmannNancy Hoffmann

Message to Voters
I am running for City Council because the citizens of Greensboro deserve a council that makes decisions only after thoughtful study.

Top Issues
Business Recruitment/Job Creation
Greensboro has lost major industries and jobs. I have spent my corporate career saving and creating jobs in the private sector. I will be a strong partner with our economic development team to recruit new companies to Greensboro who can add jobs

Level the Playing Field
Small business owners and entrepreneurs tell me they don't need special treatment, just equal treatment and a level playing field. We must make this process speedy and "user friendly."

Listen and Act
I will create opportunities for dialogue with our citizens. I will listen to their ideas and use them in Council consideration of issues. We need to fully utilize and bring to the discussion all the resources in our city.
Nancy Hoffmann

Occupation: Executive Recruiter--Managing Director
Education: BA--Winthrop College MEd--University of South Carolina
Age: 69
Affiliation: Democratic

Email: nhoffmann@triad.rr.com
Phone: 336-255-1306
Website: www.votehoffmann.com
Nancy Hoffmann websiteNancy Hoffmann on Facebook

Mary Rakestraw


This candidate has filed to run for office but has not responded to invitations to add his or her information to this site for free.

Jorge Cornell


This candidate has filed to run for office but has not responded to invitations to add his or her information to this site for free.

Trudy Wade


This candidate has filed to run for office but has not responded to invitations to add his or her information to this site for free.

Blogs & News

Candidates in the news and local blogs

An Unpleasant Precedent For Robbie Perkins ?--The Spag Report
April 9th, 2012 -- 3:44 PM

"It can reasonably be argued that Mayor Perkins was subjected to a potential financial detriment, e.g. the potential loss of his real estate listings with Park View Development" If that is the view of the City Attorney, then Robbie Perkins and his wealthy cronies may not have the taxpayer-funded, pocket-lining adventure they had hoped for since he was elected mayor. I question how long this will last before Perkins fights back.

Greensboro Performing Arts Center Survey Results Continued--East Greensboro Performing Arts Center
April 9th, 2012 -- 9:47 AM

Here's results to date for my own Greensboro Performing Arts Center survey. The numbers remain low so they can't be considered represenative but unline the publishers of that push poll, I will keep you informed. Questions and results below, click here to take the survey.

1. Can Greensboro afford a performing arts center?
Yes 62.5%
No 37.5%

2. Should Greensboro build a performing arts center?
Yes 50%
No 50%

3. A Greensboro performing arts center should be
privately owned. 37.5%
publicly owned. 62.5%
Comments: "As being publicly owned it should function to provide a diverse array of entertainment that exposes all to opportunities for enjoyment."

4. Should a performing arts center be incentivized by the City of Greensboro?
Yes 50%
No 50%

5. Should Greensboro invest taxpayers' dollars in ways that will directly increase profits for businesses?
Yes 62.5%
No 37.5%

6. Greensboro's performing arts center should be located
Downtown. 50.0%
Northeast Greensboro. 12.5%
Greensboro Coliseum Complex. 12.5%
in another concentrated poverty neighborhood other than Northeast Greensboro. 25.0%

7. The Greensboro performing arts center should be managed by
Matt Brown. 14.3%
Greensboro Parks and Recreation. 0.0%
a public/private partnership like the Durham Performing Arts Center. 85.7%
Comments: "Other: Management selected by the private owners."

8. Should the Greensboro City Council resort to "certificates of participation" to build a performing arts center without the consent of Greensboro voters?
Yes 12.5%
No 87.5%
Comments: "If the taxpayers would have to foot the bill for "certificates of participation", then taxpayers should be allowed to vote on the item."

9. Will you vote come November to support a Greensboro performing arts center?
Yes 37.5%
No 62.5%

10. This is the final question: Do you think this survey was written fairly so that the choices you were given accurately reflect your feelings?
Yes 87.5%
No 12.5%
Comments: "I don't think that citizens have been given a choice as to whether they would be willing to support a taxpayer funded performing arts center. The people who are pushing this have skipped that step in decision-making."

If you've not taken my survey you may do so by clicking here. To learn about the official GPAC2012 "survey," click here.

If this is your first visit you might want to read the rest of the story starting with, Why Not East Greensboro? Thank you.

GPAC Visits DPAC--East Greensboro Performing Arts Center
April 5th, 2012 -- 8:46 AM

I ran across an open invitation from GPAC2012 to ride with the task force to visit the Durham Performing Arts Center with which GPAC2012 promoters are so enamored with so I quickly e-mailed gpacsitevisit@gmail.com and asked to be included. I deliberately waited until today to blog about it to help ensure my seat as limited seating was said to be available. This morning I got the following reply from Michele Rash:

"Thank you for your interest in visiting the Durham Performing Arts Center with the GPAC Task Force. We have a limited number of spots available and will hold a lottery drawing of all interested individuals. Those selected to attend will be notified by 5 pm on Monday, April 9."

So I replied:

"Michele,
There is no mention of a lottery here: http://gpac2012.com/news/announcements/gpac-task-force-to-visit-dpac It appears GPAC2012 is again winging it.
-Billy"

Are there really so many people asking to attend that a lottery is necessary? Or is this just one more way Mayor Perkins, the Greensboro City Council, Ross Harris and GPAC2012 plan to control the agenda.

I await Michele's reply but think that if Greensboro's citizens are so interested as to fill the bus then perhaps the powers that be should rent more buses to avoid the appearance that they might not want other voices among themselves.

Then there's this last minute Tweet inviting the public to their task force meeting this morning...

Guarino as Short Bus Blogger--Vie de Malchance
April 4th, 2012 -- 10:01 PM

From The Evil Dr. Guarino: I understand that Robbie also resides at Center Pointe; and apparently did not recuse himself last night. This city council is, for the most part, the same group of sanctimonious prigs who, during election season last year, postured and alleged that council conservatives were not “listening” to citizens regarding the [...]

He Who Squeaks The Loudest Gets The Grift--East Greensboro Performing Arts Center
April 3rd, 2012 -- 9:48 AM

Tonight, the Greensboro City Council meets to vote on giving developer Roy Carroll over $5 Million in incentives from a pool of $10 Million in economic development bonds passed by Greensboro voters a few years ago so that Millionaire developer Roy Carroll can sell an industrial park that lies very near the Alamance County line and roughly 10 miles outside of the Greensboro City Limits. Have no doubt, when it comes to economic development, the City of Burlington will see far more positive economic impact than will the City of Greensboro.

For me, that's not necessarily as bad thing. You see, my business partners and I are preparing to open a small green business in Burlington and could use the economic impact.

But what about those of you who are being left behind-- don't you deserve economic development as well?

Oh sure, Mayor Perkins will point to things like a downtown performing arts center as economic development for Greensboro but I'm beginning to sense a pattern here. Perhaps you are too? Mayor Perkins represents a small group of elites who own property downtown and along the fringes of the county and now he and they plan to spend the majority of Greensboro's economic development funds to increase the value of their own investments at the expense of Northeast Greensboro and every other Greensboro community, under the guise of economic development using a myth known around the world as "shovel ready." Which, by the way, doesn't Mayor Perkins own a number of as yet, unsold, "shovel ready" sites along North Elm street that we-the-taxpayers incentivized several years ago and have yet to reap any tangible economic development from? And doesn't Roy Carroll own at least 1 empty housing development outside the city limits that we paid to pipe?

From Wikipedia:

"A project is considered shovel ready if it has advanced to the stage that laborers may immediately be employed to start work. The term is used in reference to projects which are candidates for economic stimulus spending: money put into a shovel ready project will have a more immediate impact on the economy than money spent on a project on which a great deal of time must elapse for architecture, zoning, legal considerations or other such factors before labor can be deployed on it."

Roy Carroll's project has no tenants, no architecture and no contracts from buyers. In other words, Roy Carroll's 104 acre industrial park is and will remain anything but shovel ready. But we plan to invest over $5 Million Dollars anyway? What's up with that?

And need I mention Roy's planned increase in Greensboro's urban sprawl issues?

On the downtown noise issue, the Greensboro News & Record wrote:

"In any event, Carroll shouldn’t receive any greater consideration than any other taxpayer with a complaint."

Shouldn't the same be true when it comes to spending $Millions in Greensboro taxpayers dollars? And shouldn't the same be true when deciding where to place performing arts centers and other forms of economic development?

And finally, who is buying the A&T Farm and what do they plan to do with it?

Greensboro Performing Arts Center: Who Controls The Agenda?--East Greensboro Performing Arts Center
March 30th, 2012 -- 11:48 AM

Yesterday, I attended the first 2 Greensboro Performing Arts Center public forums and I learned some interesting things and relearned some I already knew. Ross Harris, campaign manager for Mayor Robbie Perkins, manages the GPAC2012 Twitter feed established on February 14, 2012, and has recently modified the feed to control the message. No longer will tagging your Twitter posts, #GPAC2012 cause your posts to automatically display on the Latest Tweets widget on the GPAC2012 website Only Ross Harris' twits will display now.

Sorry Ross, you've been outed. So much for your planned social media campaign. But seriously, does anyone believe the process is really open and candid? Anyway, to help keep things honest I added a Twitter widget to the right column of every page on this website that will display all posts tagged #GPAC2012 even if I don't agree with you.

From today's News & Record:

"The task force said it will hold an "open, candid" discussion about the center, although Thursday's lunchtime public forum was a carefully controlled opportunity for residents to give their opinions."

And it started with the first question asked of the participants of yesterday's forum:

"1 Do you think Greensboro should have a new downtown performing arts center? Why or why not?"

In an open and candid discussion the first question would have been: Do you think Greensboro needs a performing arts center? Because if we don't need it then why are we rushing full steam ahead to build it? Am I the only person who has been hearing the song, 76 Trombones playing in my head for the last 3 months?

"Question 2: How could a downtown performing arts center benefit downtown and the Greensboro community?"

In an open and honest discussion, question 2 would have been: Can Greensboro afford a performing arts center?

"Question 3: What type of programming would you like to see on a downtown performing arts center?"

Should have been: Where should a performing arts center be placed? Question 3 should have been question 4 but instead:

"Question 4 How could you help spread the word and get the community engaged in this process?"

Question 4 is really a no brainer-- you take it into the neighborhoods. But sadly, the task force members privately admit they can't answer the questions that Greensboro communities are asking-- questions like hard numbers, who stands to profit and what makes downtown more worthy of a performing arts center than the neighborhood in the little green circle in Northeast Greensboro or other Greensboro communities other than downtown.

Council of State debate--Piedmont Publius
March 30th, 2012 -- 9:40 AM

In case you didn’t know, the Triad has a few candidates primary bids for Council of State. Forsyth County Rep. Dale Folwell, is running for lieutenant governor, while UNCG professor Mike Beitler and Mt Airy businessman A.J. Daoud are running for Secretary of State. Check out below the recent debate at Wake Forest University’s Wait [...]

It's About Our Neighborhoods-- All Of Them--East Greensboro Performing Arts Center
March 26th, 2012 -- 9:45 AM

Greensboro has a long history of racism, classism and elitism that needs to finally be brought to a close. Every working class neighborhood in Greensboro has its own bucket of broken promises made by city leaders. Promises are made to improve neighborhoods and the bonds are passed but the bonds are never sold before the next bond being pushed by Greensboro's "movers and shakers" gets pushed through, passed and quickly put on sale.

Take the Summit Corridor improvements for example. The Aycock Historic District fought hard to get the city to improve the streetscape and save the historic World War I Veterans Memorial Stadium back in 2002. Bonds were approved by the voters but 10 years later the bonds have yet to be sold. But the proposed downtown performing arts center is supposed to be voted on, passed, bonds sold and concerts playing in 5 and 1/2 years.

And the promised streetscape improvements? Never happened.

Construction on the Downtown Greenway continues while other Greensboro neighborhoods get nothing.

In 2004, my neighborhood was promised a grocery store the city council knew they'd never make happen. Instead, we get 1000 acres of empty promises and a bill for $8 Million Dollars to close the landfill.

All the while they talk about economic stimulus and jobs, the only stimulus goes to our downtown developers and out of state general contractors. And the occasional local good old boy who happened to make a donation to a campaign fund or offered to fly city council members around in his personal jet.

The numbers don't jive. They never do. They don't even know where the money went.

There are over 24,000 locals out of work and they want to build in the one neighborhood that according to downtown boosters, is thriving? Where's the Citizens for Economic & Environmental Justice when you need them?

It's about our neighborhoods. All our neighborhoods and not just downtown and Irving Park. Please e-mail city council and tell them that until our neighborhoods get our fair share, downtown Greensboro gets nothing. And please tell them to place the Greensboro Performing Arts Center in the little green circle or don't build it at all.

Continue to article #60. While Downtown Goes Up, Your Neighborhood Goes Down.

Performing Arts Task Force Says Downtown Might Not Be Best Location--East Greensboro Performing Arts Center
March 26th, 2012 -- 9:45 AM

Make no doubt, Ross Harris, campaign manager for Mayor Perkins and appointed leader of the performing arts center task force is not going to recommend any location other than downtown but as shown in this video from Fox8, not all of the 50 members of task force are convinced. And neither am I.



Imagine that?

I still believe that every Greensboro community is in need of economic development and not just downtown. I believe that communities other than downtown and northwest Greensboro deserve to share in Greensboro's economic treasures and that jobs should be made available where those most in need of jobs live and not way out on the county line where the people who live there, moved there to get away from the city.

That's why I support putting the Greensboro Performing Arts Center in the Northeast Greensboro so that all of our neighborhoods can share in the prosperity.

And for those of you who found this site by googling, "are robbie perkins and ross harris an item?" I haven't a clue.

Continue to article #62. Downtown Greensboro Performing Arts Center In The News.

Anyone Notice How The News & Record Leaves The Rest Of Greensboro Out Of The Conversation Concerning The Greensboro Performing Arts Center?--East Greensboro Performing Arts Center
March 26th, 2012 -- 9:45 AM

Allen Johnson, Editorial Page Editor for the Greensboro News & Record would be lying if he made the claim that he doesn't know about the effort to bring the performing arts center to the very neighborhood he grew up in. The proof is in the Tiny URL that is contained in this letter to the editor submitted by Professor David Wharton. But in his own editorial blog post, How's that arts center task force thingy working for us so far?, Allen Johnson conveniently leaves out any mention of his old neighborhood.

Could it be Allen no longer cares about the very neighborhood he grew up in? And how can Allen write the following without mention of the very neighborhood in which he grew up? Or any other Greensboro neighborhood?

"But, again, none of this is surprising. Nor is it unhealthy. This should be a rich, open and vigorous conversation, and not all of it has to take place in task force meetings.

That said, the participants should trust the process and try to keep open minds. There’s a lot of critical fact-finding to come. My only cautionary advice is that task force members need to talk to each other as well as the media and the community.

But so far, so good. Being inclusive builds trust and familiarity and squelches conspiracy theories before they can take root."

In case you're wondering why there is an effort to build a downtown performing arts center you need look no farther that this explanation by Bill Heasley to the City Council on Feb. 21:

"A small, yet highly organized group, the special interest representing the notional proposition of building a performing arts center, would very much like to place a bond on the ballot for voters to approve or disapprove regarding such performing arts center.

The bond becomes the cash-conduit for economic rent seeking of taxpayer dollars by special interests via politico enablers leading to crony capitalism. Yes, the wonderful world of public choice theory. James M. Buchanan of George Mason University defined public choice theory as “politics without the romance”.

One must note that the bond is by no means going to appear on the ballot due to spontaneous order/emergent order/ grass roots clamoring for a performing arts center. The bond will appear due to a special interest through political enablers. The notional proposition is for collective action to build a performing arts center for the enjoyment of the very-select-few. That is, the plans of the few vs. the plans of the many."

Like I said before, Tax the poor to entertain the rich.

Also, as I've said before:

"And should you be a first time visitor to this blog, please don't assume I'm against building a Greensboro Performing Arts Center. I'm not. But I am against a downtown performing arts center built at taxpayers expense. Unlike the NIMBYS, I want the PAC built in in my back yard as a means to make Government responsible to the needs of the entire City of Greensboro and not just the rich elites."

You see, Allen Johnson, the News & Record, downtown boosters and Greensboro's "movers and shakers" are unable to make sound, logical, long term arguments against placing the Randall Jarrell Performing Arts Center, aka, Greensboro Performing Arts Center, inside the little green circle in Northeast Greensboro. They haven't even considered neighborhoods outside of downtown. So they simply try to ignore me.

It's called the sin of omission in the news business and in your churches. It's as if they're making my point for me.

And lest we forget the News & Record is one of the parties attempting to sell downtown property to the City of Greensboro as a site on which to build their PAC.

Don't forget to use the Twitter hash tags, #GPAC2012 and #GSO to get their attention. I promise you, they are following me.

Continue to article #68. GPAC2012 ‏ @gpac2012.

Greensboro city leaders need to step up and lead.--Progress for Greensboro
March 26th, 2012 -- 8:46 AM

by Tim W Flowers

A couple of weeks ago the NC House Committee on Transportation met in Raleigh to discuss funding for rail improvements. These improvements will eventually result in high speed rail service from Raleigh to Charlotte, including stops in Greensboro and High Point. Mayors from Raleigh and Charlotte attended the meeting to plead their case in favor of the improvements. Leaders from the Triad were completely absent. This is unacceptable considering how much we stand to gain as key recipients of the planned upgrades. The long term economic benefits to the Triad can't be calculated at this point, but it's logical to conclude that metro areas served by fast, efficient transit will be favored by companies looking to expand or relocate, over areas that have no options except for congested highways full of cars running on $5/gallon gasoline.

Last week Raleigh made the news again by revising rules governing urban gardens. It's now legal to start a garden on most vacant city owned lots, and rules that regulate community gardens on private land have been relaxed. There's even a 200 page list available of possible garden locations provided by the city. The reaction from our city's leaders has been...silence.

On the Progress for Greensboro Facebook group, which some city leaders are subscribed to, I've suggested we take advantage of our "green" name and re-brand ourselves as a sustainable community; a leader in green initiatives. There are many things we could do that wouldn't involve expenditures of taxpayer money but rather would be adjustments to zoning or other ordinances to encourage private initiatives. No one has taken the time to comment on my proposals.

Today in the News & Observer, it was reported that Raleigh has beaten us once again, this time by being named the "most sustainable mid-sized community". The city was commended for its green-building worker training program, an electric plug-in vehicle program that will bring up to 30 charging stations by September; and one of the nation's two convention centers with a LEED silver rating from the U.S. Green Building Council. Raleigh Mayor Charles Meeker said, "The city is a careful steward of the environment and has a long-term vision for a prosperous future."

Back in Greensboro, do we have a long-term vision? Do we know where we're going? Is there a plan, or are we so stuck in a past of ancient disputes over civil unrest in the 1970's and the more recent alleged misconduct of former police chief Wray that we can't find our way into the present day, much less the future? While we bicker over history, cities like Raleigh are forging ahead, building the future they want to see. This keeps them in the media spotlight, which also keeps them on the "A" list for high-tech corporations offering good paying jobs.

Where are Greensboro's leaders? What is our city council really accomplishing except arguing over the budget? Can we find our future and establish ourselves as a place other cities envy and copy, or will we continue to stay stuck while our neighboring cities pass us by?

Make some calls. Write some emails. Demand that our elected officials do what we voted them in for: Lead...or get out of the way for someone who will.

Field of mayoral candidates grows. I'm backing Robbie Perkins.--Progress for Greensboro
March 26th, 2012 -- 8:46 AM

by Tim W Flowers

We now have three possible candidates for the Greensboro mayor's office. It's presumed that mayor Bill Knight will run for re-election, and announcements have been made by Robbie Perkins and Tom Phillips. While I'd like a fourth choice, to be honest, it's not likely anyone will come forward. I suppose we should be grateful we have this many choices, even if all three are registered Republicans. Having at least one candidate from the Democrats, Libertarians, Greens, or an independent, would round out the field much more nicely. But we have what we have, so what is the way forward?

Bill Knight doesn't deserve another term. While he promised a great many things, his legacy will prove to be even weaker than Yvonne Johnson's or Carolyn Allen's. Both are fine women, and I believe Bill Knight is an honorable man, but none of them have had a real vision for our city, or if they did have a vision, they were ineffective in articulating it and putting it into place. We've had more than a decade of poor leadership and almost total stagnation, while our neighboring cities of Raleigh and Charlotte have forged ahead. It's time to put former police chief David Wray behind us, along with the Klan-Nazi shootout that some people insist on talking about despite it being more than 30 years ago. We need to do more than cut programs everytime conservatives complain about every penny spent that doesn't personally and immediately benefit them in some way.

So, who do we choose? I know very little about Tom Phillips except that he is considered to be further to the right than Robbie Perkins, and it's been said that Mr Phillips is "stiff" and not a great communicator. With that in mind, I feel Tom Phillips would simply be a younger version of Bill Knight, so a change in that direction would be no real change at all. That leaves us with Robbie Perkins, a career politician, no doubt, but also a pretty good businessman with an MBA. He knows how the city works, who the movers & shakers are, and his political stance is reasonably moderate compared to his opponents. And he really truly seems to want the job. Is he the ideal candidate? No, not by a long shot. But if he is elected and can pull our city together and move us forward with even a percentage of the effectiveness of former mayors Jim Melvin and Victor Nussbaum, that will be a very good thing indeed.

We need vision. We need progress. We need leadership. Let's give Robbie Perkins a chance as mayor.

Bellamy-Small's dream of being mayor is our nightmare.--Progress for Greensboro
March 26th, 2012 -- 8:46 AM

by Tim W Flowers


Ever controversial, ever divisive, Greensboro city council member Dianne Bellamy-Small has filed paperwork to run for mayor. The woman we have to tolerate because the voters in her district refuse to pick another candidate actually thinks she has chance to win the mayor's seat.

I have no personal grudge against her, even though she refused to even glance at me, much less speak, when I encountered her in an aisle at the Walmart SuperCenter last year. I remember thinking how poorly it reflected on her and our city council, and I began to understand why so many people dislike her. Maybe she's just shy. Yeah. Sure.

In any event, her bid to become mayor shows a disconnect between who she thinks she is, compared to what the mayor's job requires. Being mayor means you are the peacemaker, the coalition builder, the face of the city, and herder of cats. Bellamy-Small's history shows her as independent, combative, and, I have to use this word again, divisive. She's spent years being a thorn in the sides of countless council members, and now she thinks she can build consensus and lead us forward?

It's not a matter of her race, sex, or political positions. It's her attitude. I find it hard to believe she could ever win the mayor's race just on that one issue alone.

But fear not. Unofficial word on the street is that she's already thinking about dropping out before she even gets started.

We can only hope.

UPDATE: Ms Small dropped out of the race not long after she entered it.

(image source: Greensboro News & Record/Joseph Rodriguez)
MV8M7T2KUBNE

Go Forward with Bill Knight?--Progress for Greensboro
March 26th, 2012 -- 8:46 AM

by Tim W Flowers

Driving around Greensboro the other day I spotted a yard sign from mayor Bill Knight's re-election campaign. In big letters it said something about "moving forward". I zipped past the sign before I could read it in its entirety, so I went to Knight's website to get the scoop.

And there it was again.

"Go Forward Greensboro" is the command issued by his site. And I'm puzzled.

While I believe Mr Knight is an honorable man, I see no evidence from his first term in office that he wants to move our city forward. As a self-proclaimed conservative, "progress" is the last thing he should be promoting. Dictionary.com defines "conservative" as "disposed to preserve existing conditions, institutions, etc., or to restore traditional ones, and to limit change." Does that sound like the way to move forward?

Moving forward, also known as progress, is defined as "a movement toward a goal or to a further or higher stage". How much progress have we seen in the past two years? Other than infuriating residents by threatening to reopen the White Street landfill, what has been accomplished? How is Greensboro better off today than when Knight was first sworn in?

Of course, all the blame shouldn't fall on mayor Knight, since the entire city council has been functioning in its traditionally dysfunctional manner. But the job of the mayor is to create a vision, to lead, and to create a climate where diplomacy reigns and real progress is made. And I don't see much evidence of that during Knight's term.

Our city, as well as our state and nation, are faced with some of the most challenging issues since the Great Depression. We need fresh ideas, bold initiatives, and real progress that isn't mired down in partisan politics. A spiffy slogan like "Go Forward Greensboro" might help you win an election, but if the same tired agenda is trotted out, we're not really going anywhere, are we? Except maybe backwards.

Pornography, Porno, Porn, XXX in Greensboro, North Carolina--Abner's Inquisition
March 26th, 2012 -- 8:46 AM

If pictures of women in tennis attire is pornographic,
should all Greensboro women’s tennis programs be cancelled?

Should all children in public school
be taught that evil is compatible with an omnipotent and benevolent God?

If some believe pictures of women and men in bathing suits is pornographic,
should public swimming pools will be closed?

Are members of a church more likely to give campaign contributions
to a "pious" Council Member who attends the same church,
after said church’s preacher gives a sermon on the dangers of pornography?

If pictures of women and men wearing dancing tights is pornographic,
should all publicly funded dance groups be disbanded?

If all men not wearing shirts in any pictures on the internet is pornographic…?

Should public schools should be segregated by sex?

Should dancing be prohibited?

Should Roman statues be covered?

If a Catholic Priest says it’s OK for him to touch you wherever he wants,
should you believe him?

Should public employees using phones with internet access
be denied access to pornographic web sites?

Should clergy who support political grandstanding
receive privileged access to Greensboro’s political and municipal executives?

Does the government always act in the majority’s best interests?

Should a married pregnant unemployed high school drop out
who knows the child will have AIDS and autism
have to receive permission from her husband to get an abortion
after being raped by her schizophrenic brother-in-law?

Should “abstinence-until-marriage” education
replace explicit sex-education programs,
school-based clinics, and the distribution of contraceptives in schools?

Should contraceptive measures for raped woman be outlawed?

What is the likelihood that the God of rectangle shaped people has four sides?

Should school curriculums teach Creationism,
and have a disclaimer before any evolutionary topics,
like biology, or chemistry, or geology, or platectonics,
or world history, or dinosaurs, or physics?

Should morning prayers be instituted in public schools
and end with “in Jesus’ name we pray”?

Should Jewish children be prohibited from dating Christian children?

Can an atheist be superstitious?

Should no mosque on American soil
be within a mile of an elementary school?

Should religious and/or alternative sexual orientation
be a required disclosure on all public identification?

Are all Muslims terrorists?

Can a robot be one of God’s children,
and if so, is it OK to enslave intelligent machines?

Should all children be taught at the earliest ages
that their parents are obligated to give 10% of their families income
to their religious leaders?

Should Biblical dietary and punishment laws be strictly enforced?

Do you get to wear clothes in heaven
but not in hell?

Are all men who look for porn at the library child molesters?

Should special police in charge of monitoring moral behavior
be given the right to use corporal punishment on anyone under the age of 21?

Should elected lawmakers seek to avoid imposing their religious views
upon the communities in which they reside?

Should the United States of America officially declare war on Islam?

If the government arrests a citizen for pornography,
should the accused be publicly humiliated before trial,
unless they are related to or are good friends with a public official?

What do you believe that you can’t prove?

Are all women who look at porn at the library lesbians?

Are communities who lean towards religion infused government
more or less likely to pass religious based legislation
like alcohol prohibition, dancing, female submission, book burning,
what could be unnecessary pornography restrictions,
public school curriculums, abortion or homosexuality?

Why are weak governments and/or fringe political movements
more likely to embrace religion or nationalism
in times of economic and social instability
and/or when distractions appear helpful to bury other more important issues?

Should any man caught "sexually" looking at women in public libraries be removed?

Should all sexually active homeless persons within the city limits be removed?

Should all those of a religion other than those sanctioned by government,
wear an insignia stating their religion on their garments at all times in public?

Should anyone who disagrees with the will of a majority of a minority,
be prohibited in engaging in public discourse?

If sentient beings on another planet played chess with Earthlings
would God would be on our side, as long as the player is a white, not gay, Christian American?

Are you a robot?

Were we all predestined to have free will?

If I knew you were a robot,
would you want me to tell you?

Chris Lawyer for Greensboro City Council--Jon Hardister
March 26th, 2012 -- 8:45 AM

Several months ago I had a conversation with a good friend of mine named Chris Lawyer. We had a discussion about politics, which wasn't an unusual topic for us to discuss. We both share a conservative political philosophy and we have a habit of discussing political issues.

While in this particular conversation, I was reminded of the passion that Chris has for helping people and establishing a better form of government. Suddenly, I remembered that municipal elections are coming up this year and an interesting idea came across my mind: Chris would make an excellent candidate for public office.

After pondering the thought for a moment, I asked Chris if he would consider running for Greensboro City Council. Without hesitation, Chris told me that he would, indeed, consider running for public office. This was a surprise to me, because I fully expected him to say no. After all, there are a lot of folks out there who would make a good candidate for public office but they don't want to enter the rugged world of politics.

But Chris had an important caveat along with being willing to run for public office: He said that he would only do so if I agreed to manage his campaign. Because I believe in Chris to such a great degree, I told him that I would be more than willing to help him get elected.

Shortly thereafter, we filed papers to form a campaign committee for Chris to run for Greensboro City Council At-Large. He decided to run for an at-large position on the City Council because he wants to serve all of Greensboro rather than a fraction of the city.

Since launching his campaign, Chris has proven to be a fantastic candidate. This is his first run for public office, but he handles himself in a professional manner and campaigning seems to come natural to him. He understands the issues facing Greensboro and he is dedicated to making his campaign a success.

Chris is a true conservative and he is passionate about securing a better future for the citizens of Greensboro. He understands that we can't spend money that we don't have and he knows that it is our citizens, not the government, that make Greensboro such a wonderful place.

As a physician assistant in a local ER, Chris has dedicated his career to helping people. While working in the ER, Chris has made a habit of listening to problems that people are having and coming up with solutions. He knows how to handle high-stress situations and he is able to work under pressure.

Furthermore, I am writing this in hopes that you will join me in supporting Chris. Running for City Council as a first-time candidate is a difficult task, but Chris is on the right track and he has an excellent chance to win.

Please vote for Chris Lawyer in the upcoming City Council Primary and encourage your friends to vote as well. Early voting began last week and the Primary Election is on October 11th.

If you have questions for Chris, feel free to send him an email: lawyerforcouncil@gmail.com. You can also find Chris on the web: www.lawyerforcouncil.com.

I really hope that you will support Chris. He is a person of sound character and he sincerely wants to serve the community.

Excellent Run by Chris Lawyer--Jon Hardister
March 26th, 2012 -- 8:45 AM

Chris Lawyer, who is a close friend of mine, made an excellent run for City Council at-large. He did not win but he ran a very effective campaign and came close to getting elected.

There are three at-large seats on city council. Six candidates, including Chris Lawyer, advanced through last month’s primary contest. Out of those six candidates, the top three get elected to City Council.

With the results being complete but unofficial, Chris finished in fourth place out of the six at-large candidates. Out of more than 90,000 votes casted, Chris was less than 1,000 votes behind third place. He also won the second most amount of precincts, second only to Yvonne Johnson.

This is a very strong showing for a first-time candidate. Chris is a bright young man who has natural ability as a political candidate. Chances are good that you haven’t seen the last of Chris Lawyer.

ALL NIGHT TELEVISION: THE PICTURES IN MY HEAD--Dead Pictures
March 26th, 2012 -- 8:45 AM



I can't sleep--I got my eyes wide open

I can feel the radiation
Vertical lines on video
It's three a.m., there's no distractions
Can't sleep 'cause all the stars are on now
Should I move to change the station
Having fun watching my tv
It's the center of attraction


When I was a lad, I was obsessed with attempting to stay up all night long. This act of adolescent willpower entailed watching plenty of after hours television, an action that scarcely distinguished me from other young knuckleheads. I spent Friday evenings with my grandmother, who gave my hardworking parents a well-earned respite from my usual mischief and prepared for me delicious tv dinners that took a now-almost-inconceivable thirty minutes to cook in those pre-microwave wonder years. Grandmother Pagan also allowed me to watch The CBS Late Movie, a memorable series that formed a substantial part of my film education. Sometimes she watched, too, though more often than not she fell asleep. Those weekend viewings included everything from Elvis Presley extravaganzas (a word I use very loosely) to Hammer horrors. Occasionally I fell asleep myself while watching the pictures--I remember being bitterly disappointed, out of all reasonable proportion, after dozing off mere minutes into Jacques Tourneur's The Comedy of Terrors (1964), which I would not encounter again for decades--but, more often than not, I remained wide awake and wanting more, more, more. There was something liberatory, and not a little addictive, about being up while everybody else was in bed.

CBS was the first American network to devote its late-night programming to cinema. For several years, it had aired The Merv Griffin Show after the 11 o'clock news, but on Valentine's Day 1972 it switched to film broadcasts, often running what the series' Wikipedia entry politely describes as "movies not well-suited for prime time due to content." In other words, my type of entertainment. A February 28 screening that year of a heavily-edited version of Luchino Visconti's originally-X-rated The Damned (1969) was vigorously protested by bluenoses from the Christian Life Commission and the Southern Baptist Convention, and actually resulted in CBS' then-president John A. Scheider's appearance before a Senate subcommittee. Alas, I missed that particular broadcast (it was on a school night, curse the luck), but Visconti's Nazi epic was undoubtedly emasculated for the protection of delicate viewers. The Late Movie also featured plenty, and I do mean plenty, of public service announcements during its interminable commercial breaks, perhaps most memorably the Ad Council's "Keep America Beautiful" anti-pollution spot in which the bogus Indian Iron Eyes Cody emerges from his canoe just in time for some litterbug to toss trash from a speeding vehicle at his beaded moccasins, which the actor reportedly wore on almost all occasions. Cody was actually Italian-American, and not, as he insisted, Cherokee/Cree; the tear he wept at this ecologically-incorrect indignity was in reality glycerine. To my knowledge, though, he never had to appear before a Senate subcommittee. Grandmother Pagan, bless her heart, called him "Crying Eyes Coyote."



The Friday Late Movie schedule was, for several years at least, especially enticing, and had me drooling in anticipation as I scrutinized the newest number of my family's TV Guide. Here CBS screened such warped wonders as Barry Shears' dystopian Wild in the Streets (1965), Roy Ward Baker's gender bending Dr. Jekyll and Sister Hyde (1971), and Kinji Fukasaku's surreally schlocky The Green Slime (1968). The show's theme, Morton Stevens' haunting horn-driven "So Old, So Young," combined with the multicolored pentagram graphics (were the Christian Life Commissioners and Southern Baptist Conventioneers still watching?) to promise amazing things to come. Unfortunately, in 1976 the network began broadcasting, in addition to its film library, NBC Mystery Movie reruns (McCloud, McMillan and Wife), as well as repeats of such series as Hawaii Five-O (whose celebrated theme Stevens also composed) and The Rockford Files. Although these were fine programs, I was less than enthusiastic about the change, but, during the summer break, I could always switch over to NBC's Tonight Show and watch Johnny Carson or one of his numerous guest hosts, followed by Tom Snyder's Tomorrow hour. CBS later, as if in atonement for these unwelcome changes, enlivened Friday evenings with rebroadcasts of Kolchak: The Night Stalker, as well as terrific British series (both The Avengers and The New Avengers). Here's a reconstruction of the Late Movie's opening from 1975, when the network ran Edward Ludwig's riveting ecological revenge epic The Black Scorpion (1957). I watched this exact broadcast.



Our local CBS affiliate, WFMY, was already airing Friday double features when the Late Movie premiered, and for a year or so afterwards, the station continued to schedule a 1 or 1:30 a.m. film. This was WFMY's Late Late Movie, which recycled Stevens' theme. Although it was sometimes difficult for me to stay awake until the very end, I vividly remember three of the pictures I saw during that time slot: William Castle's The Night Walker (1964), which scared the bejeezus out of me (I was actually afraid to turn off the television, lest Hayden Rorke's disfigured specter molest me in the dark), and two Hammer chillers: John Gilling's Shadow of the Cat (1961), which as a young ailurophile I greatly appreciated, and Terence Fisher's 1962 remake of The Phantom of the Opera--the first version of Gaston Leroux's classic novel I ever saw; it starred my favorite Phantom, Herbert Lom, whose soulful torment and subterranean style enchanted me. This cinematic double shot lasted until between 2:30 and 3 a.m. It wasn't all night, but by Jove it was close enough. WFMY would then sign off with the national anthem and switch not to a test pattern, but to static.



It was into the arms of Morpheus that I reluctantly went, fantasizing about what secret messages might be hidden in that static, what mysterious images were being beamed into the homes of those souls stalwart enough to watch. This must have been a relatively common curiosity for those of us nursing at the glass teat, as witness the haunted television set in Tobe Hooper's Poltergeist (1982), or the snuff film channel materializing on wee hours cable in David Cronenberg's same-year Videodrome. Sometimes--this was several years later--when one station went off the air, I could dial in another channel from far away, painstakingly manipulating my parents' antenna clicker as if it were a magic wand. During the summer of 1978, I distinctly remember viewing a snowy-but-watchable broadcast of Jean Negulesco's The Rains of Ranchipur (1955) one Sunday overnight; the station, if I recall correctly, was based somewhere in Virginia, and may well have been Charlottesville's NBC affilliate WVIR. I imagined I was receiving an occult transmission from the gods of late night.

Inevitably, The CBS Late Movie's Friday programming became less adventurous over time. The network did, however, screen Michelangelo Antonioni's fascinating metapolitical misfire, Zabriskie Point (1970), which, like, blew my adolescent mind, man. The Late Movie was also where I originally encountered, on other evenings, Mario Bava's Baron Blood (1972), Alfred Hitchcock's Spellbound (1945), and Brian G. Hutton's Where Eagles Dare (1968). As the Eighties era of cable and satellite encroached, the program offered thanks-but-no-thanks reruns of Lou Grant and The Jeffersons, as well as feature films edited with a chainsaw to fit into an eighty-minute time slot. (I shudder to recall a severely-abbreviated version of Boris Sagal's The Omega Man [1972]; now, there was literally "no phone ringing, damnit!" for machine-gun-wielding star Charlton Heston.) The series had become an utter joke, and was regularly mocked by David Letterman during his tenure at NBC. In 1985 the program's title was changed to CBS Late Night, but I had tuned out by then. Here, astonishingly enough, is a complete episode guide. And I thought I was obsessive....


ABC's Wide World of Entertainment premiered in the same time period on January 8, 1973, offering a rotating selection of made-for-television mystery movies, talk shows, concerts, and comedy specials. The movies were shot on videotape and, if my memory serves me correctly, seemed like oddball soap operas; it's doubtful that many of these photoplays have been preserved. The program was retooled three years later as ABC Late Night, offering reruns of such wrist-slitters as Starsky and Hutch and The Love Boat, as well as The Tuesday Movie of the Week. The only programming that really stands out in my mind are a 1975 Monty Python's Flying Circus compilation that resulted in litigation from member Terry Gilliam, and the 1978 broadcasting, over several evenings, of a five-part 1975 English-Italian Mafia miniseries called The Legend of the Black Hand. But, thank the stars, there was always local programming to fire, quite generously, my imagination.



Saturday nights in particular were full of mystery. Our local ABC affiliate, WGHP, aired Shock Theater from the mid-Sixties until sometime around 1981. This series was originally emceed by horror host Dr. Paul Bearer (impersonated by the legendary Dick Bennick), but he was long gone by the time I watched my first installment in 1974. The station now resorted to an animated opening, which featured the pounding of a human heartbeat, represented onscreen by pulsing blue blobs. As cemetery gates creaked open, an offscreen announcer intoned "Channel Eight presents--SHOCK THEATER!" Cartoon bats flapped their wings while damned souls wailed for all they were worth. Deplorably, I can find no trace of this opening online; for all I know, it's not even in the video vaults of WGHP, which became a Fox affiliate in the mid-Nineties. The first film I saw on this program was Ray Harryhausen's giant octopus classic It Came From Beneath the Sea (1955), which thrilled me to no end even though the creature possessed, as a budgetary constraint, a mere six tentacles. My parents did not normally permit me to stay up past eleven on Saturday nights, so convincing them to let me watch this thriller (stills of which I'd seen in Famous Monsters of Filmland) was--to my small brain--a substantial achievement.



The second movie I saw on the program, perhaps a month later, was Laszlo Kardos' The Man Who Turned to Stone (1957), which centered around a women's prison whose staff stays eternally young by electrically sucking the life out of its inmates. (As I age, that no longer seems like such an appalling idea.) Shock Theater aired double features off and on during the Bad Doctor's tenure, but reverted to a single film when he departed; it would return to its twofer format in 1975, at which point my parents kindly allowed me to stay up late more frequently. My favorite of all those double bills was a May 1976 screening of Merian C. Cooper and Ernest B. Schoedsack's King Kong and Son of Kong (both 1933). The local fishwrap advertised the event in its tv section with a photo of the giant ape atop the Empire State Building, and I and many other children could scarcely wait for 11:30 to roll around. Would those imbecile newscasters ever stop gabbing about weather and sports! The following Monday morning, almost every boy in my fifth grade class was rhapsodizing about this incredible broadcast and ignoring our schoolwork. The Eighth Wonder of the World and his albino offspring were infinitely more important than the multiplication of fractions.

My mother told me how much Howard Hawks' The Thing From Another World (1951) had spooked her when she was a girl, so I proceeded with caution when the film aired several months later, watching this Cold War masterpiece with an icepick I removed from a kitchen drawer. I didn't really expect James Arness' "intellectual carrot" to come out of the screen and kill me, of course, but I thought it wise to have a little, shall we say, insurance. Shock Theater usually ended somewhere between 2:30 and 3 a.m. All the other stations were off the air by that time, but WGHP would follow the fright flicks with a Community Bulletin Board and the obligatory national anthem. Then it was (sigh) bedtime.



Fortunately, the local NBC affiliate, WXII, came to my rescue with Nitelite Theatre. This program, which aired from June 1976 to November 1979, appeared at 2:30 a.m. after The Midnight Special. Johnny Carson was on for ninety minutes in those years, as was Burt Sugarman's weekly musical program. Nitelite originally ran until seven in the morning, but was later cut back to 6 a.m., the hour relinquished to For You, Black Woman and Big Blue Marble. WXII had whetted my appetite the week before with an all-night, four-film festival which began at 1 a.m., preempting the Special. That weekend I watched rapt from the bed in my grandmother's guest room as Joseph Adler's Revenge Is My Destiny (1971), George Montgomery's Ride the Tiger (1970), Robert Day's The Big Game (1972), and Jean Yarbrough's The Devil Bat (1940) unreeled. I'd previously seen the last movie on the station's classic Bob Gordon Theater, which aired on weekend afternoons, but it's a picture I never get tired of. At long last, all-night television had arrived.

WFMY had in fact set things in motion a few months earlier with its own all-night Friday film festival, which preempted The CBS Late Movie. Unforgivably, I passed out during the first picture, Abraham Polonsky's Tell Them Willie Boy Is Here (1969), sleeping straight through the other four features, so Nitelite was a welcome presence, indeed. The series was originally hosted by Art Neal and Zacahry Gibson, who performed groan-inducing skits, but they were soon gone, and, like Shock Theater, the program now had no emcees. Its theme music was an instrumental ditty somewhere between Julius Fucik's Entrance of the Gladiators and John Williams' "Cantina Band" tune from George Lucas' Star Wars (1977); however, try as I might, I've not yet been able to track down this piece online. The program always kicked off with a movie, followed by episodes of old tv shows (The Twilight Zone, I Spy, The Invaders), followed by (in its early days, at least) yet another feature. The program officially debuted with Harry Horner's eschatological talkfest Red Planet Mars (1952) and Guiliano Montano's 1967 caper classic Ad Ogni Costo ("At Any Cost," retitled Grand Slam for English-speaking audiences); over the years, it screened such treasures as Hitchcock's Foreign Correspondent (1941), Samuel Fuller's Run of the Arrow (1957), and Theodore J. Flicker's paranoid masterwork The President's Analyst (1967). I particularly remember one 1979 broadcast of Frank Capra's Mr. Deeds Goes to Town (1936), in which the feature was presented without commercial interruptions--a rare delight. The series came to a quiet end, possibly because I was the only fool who stayed up to watch it, and even I fell asleep from time to time. That was it for all night television until the fall of 1980, when WFMY became a twenty-four-hour station.



When my family moved across our small town in 1976 into a new home, we were finally able to pick up--usually only at night--WBTV, a CBS affiliate in Charlotte, and WRAL, an ABC affiliate in Raleigh. In lieu of Friday's edition of The CBS Late Movie, which must not have generated much of a local audience, WBTV ran a terrific program at 11:30 called Those Were the Years. This show was hosted by the station's then-weatherman Mike McCay (who later wound up spinning classical discs at WDAV 89.9), and aired episodes of old tv series like The Outer Limits, Love That Bob, and The Cisco Kid. The station also screened Flash Gordon serials, as well as occasional films. Its original theme was Singin' Sam's "Reminiscing," but that song was replaced by Steely Dan's more contemporary, and certainly more ironic, "Reelin' in the Years." WBTV aired a feature after the show, and it was here that I received further introductions, along with occasional Shock Theater selections, to the European Cult Cinema: Claudio Guerin's entrancingly bizarre A Bell from Hell (1973), Carlos Aured's Horror Rises From the Tomb (1973), and so forth. Here's a 1976 news item on the program:


In the Seventies, WRAL scheduled an annual all-night, horror-hosted fright film festival on the Friday before Halloween. The first Spook Spectacular I dialed in was also in 1976; it began with Benjamin Stoloff's Night of Terror (1933), a preposterous old-dark-house thriller with a truly outrageous ending which I won't reveal for fear the Maniac will climb into my bedroom window tonight and tear me limb from limb. The station later aired a program on Friday evenings called Chiller Theatre, which had an impressive opening: a POV shot of someone racing fearfully and breathlessly through a cemetery. (Once I dreamed I finally saw the face of the person running, and--shiver me timbers!--the shock was enough to wake me in the middle of the night.) Screenings that particularly stood out for me were Edward Ludwig's The Man Who Reclaimed His Head (1934) and Edward Dmytryk's Captive Wild Woman (1943). With so much amazing programming, it was sometimes difficult to settle on one particular station--and nobody around those remote parts had VCRs. The best we could come up with were audio cassettes.

I later experienced the same cultural dilemma on Saturdays. As I grew older and became aware of Saturday Night Live, Shock Theater had some serious competition, especially when the program featured such musical magicians as Devo, Blondie, David Bowie, and Gary Numan. WXII ran Don Kirshner's Rock Concert immediately after SNL; Kirshner's robotic introductions to the various acts were always highly amusing, especially given Paul Shaeffer's marvelous impersonation of the impresario. Often I would watch SNL, switching to WGHP during commercial breaks for my weekly dose of horror. When the comedy show wrapped up, I would then catch the second creature feature, but by the decade's end, Shock Theater was reduced to merely one picture, followed by an episode of Roald Dahl's Tales of the Unexpected, a series I adored.

Rock Concert moved to Sunday nights before being cancelled a year later. For too brief a while, WXII aired its own version of Shock Theater after SNL from the late winter to midsummer 1982. The program's opening was a white screen, down which stage blood trickled while Giorgio Moroder's "The Myth" composition, with Bowie humming ominously, played. (Paul Schrader's remake of Cat People had recently been released.) The series' host was a bearded gentleman in a black suit and black wraparounds who would be startled by the screams--and, later, organ music--that sounded whenever he uttered the name of the show. At one point, he went in search of the studio's organist to permanently silence the maestro. The program's producer began to appear midway through the series' run, and the two men performed amusing sketches. During a screening of George Mendeluk's Stone Cold Dead (1980)--an admittedly odd selection--they appeared from time to time discussing the picture a la Gene Siskel and Roger Ebert on Sneak Previews. Another sketch involved a stand-up gynecologist. It wasn't Evelyn Waugh by any stretch of the imagination, but I emitted my fair share of teenage chuckles.

Finally, I would be remiss if I failed to mention USA's Night Flight, which aired from 1981 to 1988. (Cable ultimately arrived, better late than never, in my hometown in summer 1982.) This program ran from 11pm to 3am on Friday and Saturday nights, then repeated from 3 to 7am. The series aired episodes of New Wave Theatre (hosted by the late, great Peter Ivers, who was murdered in 1983; the crime remains unsolved), as well as music profiles, concerts, and cult films (some of which were ruinously edited, among them Andy Warhol's Frankenstein [1973] and Dracula [1974]). My all-time favorite presentation was an hour-long British documentary, Blitz, on England's New Romantic movement. Like those exotic poseurs across the pond, I had nostalgia for the future as well as the past.

Always talking to me
My tv got personality
Maybe it is watching me
Eye to eye with my tv



*

Allow me, if you will, to return to the subject of commercial interruptions before I conclude this interminable exercise in nostalgiazing. I didn't care for the spots, of course, but there was nothing I could do about them, and they did allow me time to refill my soda and grab another fudge round. But commercial-free public television was off the air by 11:30 p.m. at the latest, so I was stuck with the infernal ads. Plus there were other pains to endure: panning and scanning or just plain old dead centering for widescreen features, cropping half the bleeding image, as well as censored prints for more recent films. Because cable for my rural county was still a few years away, Home Box Office's uncut features did me absolutely no good at all. I never thought I'd be able to see widescreen pictures in their original aspect ratios in the privacy of my family's living room, but these days almost everyone has that option. The landscape has completely changed. As cable found its way into more homes, there was correspondingly less use for overnight film programming; videocassettes, of course, changed the game entirely. Once I earned my driver's license, I was soon substituting the big for the small screen, attending midnight movies at local cinemas, and once I procured a VCR, I found myself settling less and less for what television movie broadcasts (late night or otherwise) had to offer.

Today's all night television, with the exception of Turner Classic Movies, is depressing stuff, indeed, consisting as it does of C.S.I. reruns, inane chat shows, and infomercial scams with convicted felon Kevin Trudeau. (Video Watchdog's Tim Lucas referred in a spot-on recent editorial to "the tyranny of Paid Programming.") Rebroadcasts of Today, of all the confounded things, occupy WXII's old Nitelite Theatre time slot. TCM Underground premiered in 2006 with an admirable selection of cult favorites, but the program's underwhelming host, Rob Zombie, was soon gone. I had high hopes for the hellbilly rocker, but he never seemed entirely comfortable introducing the movies; the series now opens with footage of a grungy, dreadlocked Zombie surrogate running around some nameless city, but mercifully he never opens his mouth.


Mr. Zombie didn't last long on TCM.

There's very little sense of discovery these days, I fear--at least on the small screen. Lucas suggests using YouTube to while away the wee hours on DirectTV. I did exactly that over the holidays, viewing some old Nitelite Theatre selections (William Cameron Menzies' Drums in the Deep South [1952] and Bob Wynn's The Resurrection of Zachary Wheeler [1971]) and a ton of Tomorrow clips on my in-laws' humongous television. Back here at home, some of my recent DVD double bills have included Frank Perry's Rancho Deluxe (1975) and Michael Ritchie's Prime Cut (1972). I don't stay up all evening any more, but late enough to satisfy my after hours fix. These nights I, rather than some local programmer, supply the pictures in my head. Once upon a time our late show revelations were communal--we were, after all, part of the great confraternity of night owls--but today that sense of community has, as with far too many traditions, all but evaporated. The cinematic underworld of my youth was a special one, and I frankly miss that world and all its mysterious gods, whose secret messages to me ran the gamut from black scorpions and devil bats to green slime and men who reclaimed their heads.

Holding horizontal
Static lines in one dimension
Late show revelations
My tv stays on forever
--3-D, "All Night Television" (1980)


At Large Greensboro City Council Candidate Nancy Vaughan on Protest Petition--protest petition in greensboro
March 26th, 2012 -- 8:43 AM

The Greensboro News & Record has a section of their online site titled "Meet the candidates". In the online edition they interviewed At Large Greensboro City Council candidate Nancy Vaughan CLICKHERE.In the article here is what Nancy Vaughan had to say:"She got drawn into politics again recently, when she began to follow the fight to get protest petition back to Greensboro. Advocates pushed City
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